Lynda's Yoga
Practice Sample transcript from one of the set of six classes
Hello, let me introduce myself, my name is Lynda and I shall be
giving Tuesday's practice session, so find a comfortable warm space
to place your mat and lie down with your knees bent up, making sure
that your head is in alignment with your spine with your hands
resting on your belly and relax.
Each day we are aiming to provide a balanced varied practice using
the breath to enable the poses to flow in a progressive, smooth
manner. However, you may choose to pause at certain sections to
focus further on particular asanas. It is only when you truly
practice that you can discover what yoga is about. It is like
calling a truce with yourself – allow your practice to feel like
going on holiday. Continue daily, just a little bit – staying with
it, that is important. It is being attentive and true to yourself,
not trying to emulate what other people can do.
So, resting, letting the weight of your body drop into the support
of the floor, tuning in to the feel and weight of your head,
shoulders pelvis and feet becoming heavier and observing your
stillness as the muscles start to let go of the hold on the bones.
Thinking of the breath as it comes in through your nostrils, filling
and swelling the chest cavity - Feel your belly under your hands,
let it rise and inflate on the in breath. Feel the warm out breath
exit your nostrils, drawing the back of the body heavier into the
floor, letting the chest cavity deflate, becoming aware of the belly
sinking back under your hands and watch this process again, feeling
the action of the breath on your body under your hands. Hearing the
sound of the breath flow in and out following the ebb and the flow,
rather like a huge expansive ocean - watch, feel and hear this
continual process happen, without impinging upon it or placing any
kind of control on it - observe and enjoy the wave of the breath,
and if you feel like sighing or yawning here, do so and know that
they are audible sounds of release.
As
you feel your spine more and more on the floor, exhale and let the
legs float up towards the ceiling – the heaviness of the legs
drops down into the back of the pelvis, feel it open to accept the
floor and also become aware of the feet feeling very light. As the
legs balance, there should not feel any kind of holding in the
stomach.
Give your legs a shake, to shake tension out.
Then allow your arms to float up, bend at the elbows and give them a
shake and get a sense of the back of the shoulders opening. So
arms and legs balance with feet and hands floating – thus making it
easier to differentiate the different segments of the spine – feel
the length of it along the floor.
If
you have a belt handy, lasso your right foot with it and place your
left foot down on the floor, use the belt as a support and a stirrup
and stretch the left arm out onto the floor, dropping the shoulder
blade down, holding the belt in your right hand exhale and draw the
leg in as close to you as is comfortable, without the knee bending
and using the rotation in the hip, release the leg down towards the
floor, out to your right side.
Breathe to keep the back of your pelvis on the floor and take your
leg back to the centre. Change hands let your left leg straighten
down to the floor and holding the belt in your left hand, as you
exhale, take your right leg over to your left side, stretch out your
left arm along the floor and look at your right hand to complete
this twist.
Change sides and repeat.
Bend both knees in towards you, cross your ankles over and hold
around your shins as you rock gently from side to side, massaging
the back of your waist. Have a huge yawn and a stretch, before
rolling over into the pose of the child.
Keeping your toes and knees together sit on your heel and rest your
head on your forearms. If after a while, you feel your bottom on
your heels, you can take your fingers to your toes and feel the arm
drop off the body, as though your shoulder blades are sliding off
your back ribs.
Have 5 breaths here before coming on to all 4’s, with your knees
directly under your hips and your hands spread wide and under your
shoulders.
Feel and hear your breathing as you go into the cat
pose, allow the heavy sacrum, which is the triangular bony part at
the back of your pelvis lead the way as you breathe out. Feel the
movement along the spine and when you get to the end of the out
breath let the head drop, the belly is drawn back and the spine
arches gloriously.
When the in breath happens let the sacrum lead the
way until the chest comes through and the head comes up – making
sure to not ‘fall’ into the arch at the back of the waist.
Repeat this at least six times, synchronising the
movement of the spine with the breath, arching like an angry cat on
the out breath and letting the in breath come naturally as the chest
comes through.
Now staying at the end of the exhalation and in the
arch of the next cat pose, bend the knees down and sit down on your
heels.
As you start to breath in bend the elbow, come off
your heel back to an all 4’s position – exhale allowing the spine to
arch from the back of the sacrum, head drops, rest in the pause of
the out breath as you sit down on your heels and wait for the in
breath. Again focus on the movement of the spine with the breath,
you can move as fast or as slow as you want in this one, have fun
here – its rather like being on a Ferris Wheel, the movement doesn’t
have to be slow and constrained, it can be free and flowing.
Download
or view transcript of the whole class -
Practice